Breaking News: 18 Hour EvE Battle Ends with Half-Million (Real) Dollars Destroyed

In EvE Online – famous for pushing the idea of sandboxing to the limit – a marathon, 18-hour, game-changing battle has just finished.

DarkRazer, an EvE player said:

“Hi,
So, you will probably see some articles in the mainstream media over the next week.  The biggest battle EVER to happen in EVE just finished.  Over 100 titans dead.  At the current Real Life $USD to In Game ISK exchange rate, over half a million dollars of ships got destroyed.  Its going to change the political landscape of the game, I have no idea whats going to happen next.

Anyway, I thought this picture was cool (expand it)

The biggest (butt-plug looking things) are titans, the other ships you can clearly see are Super-carriers.  You can see the occasional Dreadnaught or Carrier there.  Battleships, Battle-cruisers, Cruisers, Destroyers and Frigates are too small to see at this scale (As any more than the occasional dot anyway).

The main fight went for over 18 hours with over 3000 players participating.  Lots of smaller (only 100-800 players) fights popped up intercepting reinforcements and the like all during that time.  The fight started just after Australian prime time (after midnight) and is just finishing up now.  We (V-D-D) did not go into the fight, as the call was made by our side to GTFO about 4 hours ago.  We lost this one unfortunately, at about a 2 to 1 loss to kill ratio.

Pretty crazy.”

There are a lot of good stories that come out of EvE, but for a variety of reasons I never really got drawn in after I dabbled in it a few times. I decided my favourite part of EvE is the stories, so I stopped playing and started listening instead.

This is just one of many good EvE stories you can dig up if you look. In fact, there is a nifty website dedicated to collecting the best of those stories.

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The Banner Saga: When Ragtag Means Something

My band trudged through the snow, our Banner, bearing the history of our clan, flapped in the wind.

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Behind, a famously fearsome Dredge pursued us, and ahead their hordes raided and burnt towns. Our supplies dwindled and we became desperate. Still the ever-present threat of the Dredge hounded us. Conflicts broke out among the clansmen – both petty fights and terrible betrayals. Every encounter with the Dredge dropped the number of fighters piteously low and we then ran out of supplies. Clansman began to starve. I ordered them to rob an innocent farmer. My daughter judged me for the decision. At last, we arrived at a village. We were low on renown, with which to buy supplies, but perhaps with just a few days worth we could… the town was burned. There was nothing to buy.

Once more we took to the wastes, people dying. I made the tough decision to try and slog through the hordes of Dredge to shorten the route. If my inner circle and I could make a strong stand, we might get to our destination faster. We failed. There was too many, and so I lost some of my best fighters and we had to go the long way anyway.

At last, the survivors stumbled into the bastion we’d been struggling to reach. But things were no good here either – the town was in turmoil, and the Dredge mustered at the walls. Each day I had to make a tough decision. If I didn’t defend the walls, the Dredge would get in. But if I didn’t try and find supplies, the clan would starve. I couldn’t do both, but neglecting either would be the end of us.

=========

The Banner Saga is the most visually stunning game I have ever seen; the artwork is nothing short of superb. I normally like my games to get stuck in my teeth, gritty and crunchy. The Banner Saga’s stylized art, though, never ceased to drop short of breathtaking even without the high fidelity graphics that normally get me raving. From its stunning vistas, to its smooth combat animations, to the clansmen and warriors marching along in caravan it is all amazing.

I mention the art first because, although the rest of the game has some solid meat to it, the artwork stands out head-and-shoulders above the rest of the game’s components.

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The game itself plays like a tactical, turn-based RPG with some cut-scenes, pick-a-path choices, and a little bit of resource management in-between.

Having said that, I personally found the in-between sections ultimately more enjoyable than the combat. Not that the combat is bad, but after a while I found it could drag on a bit.

Combat has some pretty interesting concepts: Everyone has armour and “strength” (effectively hitpoints.) The armour protects the strength, but the strength is not only your hitpoints but also how much damage you can do. When you attack, you can target either strength or armour. If you target strength, the amount of damage you do is reduced by each point of armour they have left.

So a typical fight involves wearing their armour down until you can do a reasonable amount of strength damage per hit, while avoiding the same done to your own characters.

You pick up characters as the game progresses, and each one has a class. There’s a great number of classes – to the point where it is rare to actually have two of the same class in your inner circle, despite having 10 or 12 people. Each class has all the usual differing stats, and one unique skill. This is where I think I found combat to eventually become a bit of a grind. These abilities are extremely situational. For example, there an ability that lets one class shoot chain lightning. You know the drill: You target one bad guy, and it bounces to the next adjacent bad guy, doing 1 extra damage each hop. The rub is that it will only bounce to targets that are directly diagonal. Since it does direct strength damage, it is one of the more powerful abilities in your arsenal, but the diagonal catch means entire fights can roll buy without a scenario popping up where you can really make much use of it. On the other hand, very occasionally, a whole group of them will line up nicely and one ability will tear through their ranks like butter.

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So combat is fine, and good, but I found myself not looking forward to it. If I took regular breaks – sure, no problem – but after the 4th or 5th one for the night I started to seriously consider less-optimal decisions so I could avoid yet another tactical battle.

The story, plot, and lore, however? Just fantastic. This is what drove me to keep playing all night. I just had to know what was going to happen next! I attribute this, in a large part, to amazing pacing. The game starts out with tantalizing tastes of interesting characters and lore. A fantasy Viking world with enough depth scattered into conversations and brief map descriptions to keep you begging to find out more. This isn’t Baldur’s Gate though – you can’t go exploring and pore over a thousand conveniently discarded books to discover the rich back stories – it is more like a pick-a-path adventure where it is roughly linear, with alternating branches. This means the story and lore is doled out as deigned by the developers, but with the advantage of spectacular pacing. This game was built by some ex-The Old Republic developers, and it would seem they brought their very best writing chops with them. I did find  the constant shift of focus between main characters for the first half of the game somewhat jarring, however. From a story perspective, it works very well, but from the gameplay point of view it was very annoying.

The pacing is cleverly tied into the strategy and resource management aspects. Take my opening prose. This is how I felt by about 3/4 the way through the game. I start out with a village’s-worth of clansmen and a small number of fighters with enough friends in my inner circle to fight respectable tactical battles. After a while, I started to grow that fledgling group as I picked up more refugees, trained fighters, and specialist warriors. I, naively, assumed this would continue throughout the game, gradually growing until I had a mighty army. Ah, but the plot had other things in store for me. Things happened. Huge things. And my fledgling army became a flight of refugees and I tried to juggle all the competing issues as best as I could. Our army quickly became a rag-tag band of survivors, and it really felt like it. More than any game I have experienced before. Many games have tried to leverage the “fleeing for your life” cliché, but none have ever nailed it like The Banner Saga.

Constantly the game would task me with tough decisions, and the way it is structured there is little clue as to the end result. You can make educated guesses, of course, but the developers have definitely and purposefully eschewed a more modern approach such as telling you the end-result on mouse over (e.g. -15 warriors; +20 supplies, -30 warriors). So hard-pressed for supplies, fighters and renown as I was, I sweated over ever every decision. Then, just went I thought things couldn’t get any worse, something else would happen that would cause me to literally swear out loud. You know they have a compelling story when they can get you to react like that.

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To top it all off, it has a little bit of a rogue-like flavour to it. You can load the game, no problems. You can quit and pick up where you left off without issue. But besides your current save, it really only keeps the start of chapters as load points, so if you really want to re-try something you often have to load up a save some time back – and it’s entirely possible with random chance, and the way tactical battles play out, you could make things worse (cough like me cough).

It sounds brutal, but to be perfectly honest I don’t have any idea if it is, or whether it just feels brutal. I get the distinct impression that no matter how badly I do, the story will keep chugging on. I’ve stopped to write this review before I make one such brutal decision. It seems like any choice is going to end the game, but I suspect that perhaps no choice will. Not that there will be no consequences, just that things would be very different if I had have had more supplies, or more warriors, or … who knows? Will there be a big GAME OVER screen, or will we limp on as a torn up band, overrun by Dredge where a luckier, or smarter player could have fought a stalwart defence and saved … well, I’ll keep who and what spoiler-free.

The Banner Saga isn’t flawless – it’s both surprising and disappointing that the core mechanic, the tactical battles, is probably the least satisfying part. It’s good, but not great. The game, as a whole though, is greatly lifted by the amazing art, fantastic writing, compelling characters, epic storyline and difficult decisions. Especially for the indie price of $25 it is a great purchase.

 

Are Steam Sales Bad?

So says The Castle Doctrine developer, Jason Rohrer.

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I have to admit, at first I was armed and ready to completely discount this idea. Sales, bad? He makes some points, but I think ultimately he is wrong.

Before I get into that, though, I think that there are several successful strategies possible. For example, the Minecraft/Castle Doctrine pricing model works to a degree: I was keeping an eye on Castle Doctrine, and now he’s saying it is 50% off for the last time ever, I think I’ll add it to my library (possibly never to be played…) (also not really to my library, because it’s not on Steam.)

So the points I agree with: Yes, tricking players into buying something they don’t want is a bit anti-ethical. However, most sales folk wouldn’t bat an eyelid. Marketing is practically built around the idea. (Basic premise of marketing: create a need, then fill the need. Note they CREATE it first. For example, shampoo will talk about “damaged hair strands” and then go on to say how their brand fixes that. You’re not supposed to realise that damaged hair strands isn’t really a thing. i.e. they trick you into buying something you don’t want.)

However, no-one feels burned by this. People pick the games up super cheap, knowing full-well they MAY NOT PLAY IT. They buy it for that price, JUST IN CASE THEY DO PLAY IT. For $5? Sure, I’ll take the risk. I’m paying for the possibility of playing should the mood strike me. Best-case scenario: I play an excellent game for very cheap; worst-case scenario: I throw away $5. Honestly, something I can live with.

If I bought a game, full-price, and then it later went on sale I also wouldn’t feel burned. I paid for the privilege of getting it early. And I’d be fine with that. I knew if I just waited 6 months it’d likely be on sale, but NO WAY I’m waiting that long for a game I’m hanging out for. Even if it DOES go on sale, for the first 12 months it’s usually barely 25%. And how does that make me feel? Not bad at all. I’ve probably played and dropped the game by the time it comes on sale. I don’t feel burned at all. In fact, if I really liked the game (e.g. Tomb Raider) every time it goes on sale, I tell my friends: You should get this game!

Now, I have to admit, the frequent sales have definitely changed my buying habits. I now only buy 3 or 4 full-priced games a year and unless it was something I was really hanging out for, I do feel pretty ripped off. A perfect example is Splinter Cell: Blacklist. I loved Conviction, but didn’t like some of the stuff I was hearing about Blacklist. I hummed and harred, but after watching a few videos decided to take the plunge. For a game I wasn’t pumped about, paying a full $80 for it was pretty painful. All the worse because the game was pretty average, not great.

On balance, I’d estimate I spend about the same amount on games per year but, I don’t pirate any more (much easier to just wait for a sale) and I buy less full-price games and tons more cut-price games and games on special.

Also, one final point: I never bought Minecraft in part because of the rising price model. I was always on the fence about the game, and the longer I delayed the more expensive it got. It never got to the point of “OMG so costly” but it passed the point where I was willing to pick it up “just to try” a fair while back… the sort of scenario where I might have picked it up if I saw it on special. But that isn’t going to happen. So I never got it.

So, in summary:

  • I don’t think sales hurt long-term income at all and gives your community a regular injection of a new players.
  • I do think it cannibalizes your launch week community a little bit, but for the most part these losses wouldn’t have been people who were pumped for your game anyway. I think it’s a minor sacrifice.
  • I think in the long run, regular sales would ultimately bring in more money and more players – particularly when you consider that it’s the guys that pick it up on special who then get their friends to buy it full-price (I cannot count how many times I’ve done this (both as the sales-person and the full-price purchaser.))
  • I think that other sales methods (such as the open and up-front rising price model) will work fine as well. In fact, it might depend on the sort of game (games that are grass-roots and grow over time might benefit more from this model, while games with lots of hype benefit more from Steam Sales.)
  • There are some people who will feel “burned” by the rising price model.

========

The background for this pic: The dev just added the ability to arm your wife with a shotgun, so when the robber comes knocking, she can blow him away – and/or hit the panic button and… release the hound. Did I mention the “robber” is another player?

Having said my piece, The Castle Doctrine is only $8 right now, and seems like a fascinating idea. So I have grabbed it “just in case.”

It’s fortunate I came across this article when I did, because it is NOT going to be on Steam, and will go up to $16 very soon. Those two things combined probably would have meant I would not have made the purchase.

It seems like Jason has a unique mind: it shows in his game design. But I think his desire to be unique is hurting his bottom line.

Latest on the Oculus Rift

Things have been quiet. Between re-writing history in Crusader Kings

(In a minor battle with a rebelling duke, Morgan took a blow to the head and went into a coma. He died a few years later, and the succession did not go smoothly: His son did not have enough land to raise many personal levies, the English throne did not pass to him at all, and the rest of his dukes rose up in rebellions. There was no doubt he was going to be relegated to being a minor duke while someone else sat on the imperial throne (and several someone elses sat on the thrones of the various Kingdoms I’d united.) Ah. C’est la vie.

So either I load up the war with the Duke (leading an army with the Emperor was not something I intended to do) or that’s where my campaign ends)

I have been trying out Company of Heroes 2. I only picked it up the other day on special. It’s got some nice features, but it is very similar to the original – so I expect this flirtation to be fairly short-lived.

I got the same feeling when I played Batman: Arkham Origins. It was a good game – practically identical to the previous game… and I loved that game so it should have been all good. I loved it, but it didn’t have the staying power, because I’d done it all before.

Anyway. I’m a ways into this post and haven’t mentioned anything about the headline yet.

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The OR has a 1080p version floating around, and, separately, a version that has positional tracking – dubbed Crystal Cove. So let’s tally a score, shall we?

Traditional VR problems:

  • Low field of view, giving “long-distance screen” problem – solved
  • High latency on head-movement – solved

Traditional VR problems, that the OR also had:

  • Poor resolution – solved
  • Low latency, not zero latency – solved (for all intents and purposes)
  • Motion blur – solved
  • Turn and yaw, but no X/Y movement (i.e. leaning) – solved
  • “Screen-door” effect – unresolved
  • Very high resolution – unresolved

That’s doesn’t leave many things left for the OR to solve. You’d want the screen-door fixed just so you can compete with monitors, and 1080p resolution is acceptable, but because our eyes are so close we really do need extremely high resolution to be able to comfortably read text etc. I have a sneaking suspicion they may try and work around it, though (e.g. UI’s that make use of the stereoscopic features to “float” it at a comfortable reading resolution.)

In any case. They could ship tomorrow with quite a successful product. If they can solve the screen-door effect, and combine all these features into one mass-produced device then I’d say they’re ready to go. And maybe they are

 

Crusader Kings II – The Quest for the Throne of England

Let me tell you a tale.

I am Duke Gospatrick II of Lothian.

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My Duchy lies within the Kingdom of Scotland, on the border with the English.

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Through generations of political manoeuvring, our family has been able to secure all of the counties within Lothian, thus securing an impressive personal holding ensuring taxes and warriors sworn directly to us – should we need them against any foe, foreign or domestic.

More importantly (though, not really) I have been able to put my sister on the throne and even change the laws of succession. Her husband, of course, is the King of Scotland:

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but with the changes to the law, I can choose my next successor to be anyone in my bloodline. Say, a nephew. Say a nephew who is heir to the throne. Thus, in just 1 generation house Dunbar will be on the throne (that is to say when I die and control passes to my heir I will be on the throne.)

So. What lies in our way? The first problem is that my dear sister has not born her husband any children. Boys in particular. They have not been married long, and she is but 23, so I just have to hope she is not barren. It could bring about the ruin of generations of planning (no pressure sis’) but all we can do is pray to God.

Perhaps the King’s cousin, Earl of Atholl (current heir to the throne), will take poorly to having his claim bumped in favour of a new child. He might even take steps to maintain his lineage. His Majesty can count on me to root out any such plots and put an end to them.

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And then there is my own children. Only 6 years old, but still my son may well feel slighted when he is older and his father’s entire estate passes to his cousin. No matter!

Once on the throne, we will press our claim on the County of Cumberland and begin marrying into the English nobility.

—–

The first wheel has fallen off the cart. Since I last played they have changed the amount of holdings you can personally have without serious penalties. Halved it in fact. So I can no longer hold all the Counties in my Duchy. This is a big hit to my original plan. I’m not sure whether to wait until a child is born to my sister and award it to him (who, as future King, may get a bigger Demensne) or find someone in my court I can safely off-load to.

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So which of my vassals do I want to curry favour with?

There is Waltheof Dunbar. My cousin and Chancellor.

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He is a talented young man. That’s why I made him Chancellor. However I think the best thing to do will be to give both titles to my son. He’s already annoyed (at the tender age of 6!) that the laws don’t say he automatically inherits, so I if I let him grow into some titles – he’ll be happy, my Demesne penalty will be eliminated and when I die and become his cousin I should have a fairly strong ally.

—–

Harmony didn’t last long.

Within months the Duke of Gallway started on war on behalf of the claimant “Edward”

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So who is this Edward? And why would the Duke go to war in his name?

Well, to answer the first question we just need to look at the last 6 Kings.

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You see the red shields? That is house Dunkeld. They’re slightly related to us Dunbars. The blue shield is house Muirebe. As you can see these two houses have been at it for generations. The crown flitting between them, giving descendants claims on the throne for them to squabble over for many years to come.

You’ll also notice that last King – Laurence – he’s not dead. He’s in gaol. I might have had something to do with that when I put Patrick on the throne. This has made the Muirebes none-too-happy. Edward is Laurence’s son.

As to the second question: when the Muirebes were on the throne, the Duchy of Gallway carried a lot of influence. It was a large contiguous Duchy that could call on many troops and had vast money stores. After the war of succession where I put Patrick on the throne, that Duchy was broken up and some of its Counties moved to more… appropriate holdings (i.e. mine.) I believe the Duke may want some of his previous prestige back.

I believe the King and I have enough troops. Let’s hope so.

The war was short-lived. The Duke’s armies were smashed by our levies. I didn’t have the men to siege the Duke’s castle and force a surrender, though, so I hired some mercenaries to do it for me. Three thousand of “The Scottish Band” camped around Duke Galloway’s castle and after 2 or 3 months I ordered the mercenaries to breach the walls. The castle fell easily, so the mercenaries took to besieging and assaulting the other baronies of the County.

The mercenaries and levies then spent the remaining year besieging every castle they could find. Eventually the Duke capitulated and both he and Edward were imprisoned by the King for their treason. He may execute them, yes, but even treasonous nobles can still have influence – afterall Edward’s Grandfather was King Mael-Snechtai the Great.

Well, isn’t this interesting? Here I was worried about my son – and it’s my daughter that’s plotting to kill me. ONE MILLION YEARS DUNGEON!!!

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And in the year of our Lord, 1115, a son was born to King Patrick and Queen AElfeda. Exxxxcelllent.

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Because of my earlier political manoeuvring – the children of the King and Queen are actually house Dunbar. That was the deal with Patrick. “I’ll put you on the throne, but you must marry my sister and the children are Dunbar.” I assumed this would allow me to nominate their children as my successor, but apparently not. I CAN nominate the Queen, however, so I will simply await her death – at which point Dietrich should inherit her claims – I can then nominate Dietrich as my successor. (I think I’ll save it though, because I may need to Nominate the Queen right now… Actually. What am I talking about? All I have to do is Nominate the Queen, and then when I die I’ll be Queen of Scotland!)

Interestingly the Earl of Atoll has come to me with a plot to kill Dietrich (a babe not even a year old!) Did I not say he would be put-out by a son cutting off his claim? I have declined. That’s my heir too, so I have no intention of allowing the Earl to further these plots. As soon as I’m Queen I will come up with my own schemes, to counter his.

November 1116. I have fallen gravely ill. Is it strange that I hope that I die?

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And that makes me Queen of Scotland!

I now set my eyes on the English throne. I will take generations and generations of political work – lies, plots, marriages – to get a claim on the throne. Possibly hundreds of years. But that’s where I’m heading next…

No Man’s Sky > Star Citizen?

I dropped a few bucks on Star Citizen and have been getting a steady stream of updates since. It’s a game I felt I had to at least pick up because it could be fantastic. All things to all people. On the other hand, and perhaps more likely, it’ll be overly-ambitious, buggy, and spread so thin that the bread will hardly glisten. (You heard it here first.)

No Man’s Sky was just announced at the VGX with a pretty spectacular trailer.

From what I see here it looks to me to be more in line with what interests me than Star Citizen. There’s not much in the way of details, but many important things stand out.

First we see our view jumping into a ship that is reminiscent of an X-Wing. Next we are flying up from the surface of a planet. A planet that looks stunning, but is apparently procedurally generated. I’m not likely to search out every nook and cranny of a planet, but being able to buzz around one that looks amazing “just for fun” really holds a lot of appeal. I’m getting a lot of this jive from Kerbal Space Program – but imagine it with practically infinite planets. The quick cuts show us all the classic sci-fi planets: Jungles and Deserts (complete with giant sand worms) among them.

As the ship’s nose points up, they head into OUUUTTTEEEERRR SPAAAAAAAACE! From here we see other single-man ships buzzing around, breaking the atmosphere and joining into what looks like some sort of fleet. Most notably a large capital ship that at least invokes a Star Destroyer-esk feeling of power and size.

Other flashes of gameplay show deep-space operations through asteroid fields and the like.

The great thing this game invokes is a real feeling of all our favourite sci-fi shows. Landing on a planet surface, then flying out to meet a Star Destroyer was always the one thing X-Wing vs TIE Fighter was missing.

So No Man’s Sky looks ambitious, yes, but not wildly so. It looks like it captures the feel of classic sci-fi without getting bogged down. Something I’m very afraid Star Citizen will succumb to, with its focus on trade, economy, vast universes and customisable ships. Star Citizen sounds kind of… boring. Except with space ships. A highly detailed, boring, space ship game. Just give me a number of very cool fighters to fly around in, and reasons to visit lots of cool places and blow things up.